Lithography on Fabriano paper by André Lanskoy – Titled: Journal d’un Fou, 1973 – (Diary of a Madman)

Limited edition fine art print by André Lanskoy; Titled:  Journal d’un Fou ‘’7’’dated 1973. (Diary of a Madman series)

Lithography in color on Fabriano paper signed in pencil by the artist lower right and numbered in lower left. One of an edition of 100 signed and numbered copies.

Dimensions: 94 x 65 cm. – 37 x 25.5 in.

Provenance: Zimit Gallery via Belgian collection

!!!Note: there is an additional edition of 50 copies too

Illustrations to the novel by Nikolay Gogol “Diary of a Madman”

In 1958, Andre Lanskoy began to work on a large project of original prints and collages to accompany Nikolay Gogol’s novel “Diary of a Madman”. He worked for ten years on this project.  In 1968, at the Museum of Arts and Industry in Saint-Etienne was the exhibition, where were presented 169 works from this series, one part of these artworks were abstract compositions inspired by the manic images from the novel and the other one were collages on the basis of textual quotations in Russian and French languages.

Subsequently, based on artworks from this series were made quality color lithographs on Italian Fabriano paper, issued in two editions (50 and 100 copies) with the personal signature of the artist.

Price: *$ CAD (Canadian Dollars) For more information on artwork, artist or on shipping and price contact the gallery.

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André LANSKOY (1902 – 1976) – Andrej Michajlovic LANSKOJ

André Lanskoy was born on March 31, 1902 in Moscow, and died on August 22, 1976 in Paris. He was a Russian painter and printmaker who worked in France. He is associated with the New School of Paris and Tachisme, an abstract painting movement that began during the 1940s.

He was born in Moscow. After 1905, the family moved to St. Petersburg, the capital in 1909. In 1918, he moved to Kiev where he painted his first paintings. During the Russian Civil War he fought in the White Army. After an injury he moved to Constantinople and in 1921, he went to Paris. Recalling his arrival in the French capital, Lanskoy said: “Literally in the first night I started to paint and I haven’t stopped since.” In Paris, he met Serge Poliakoff, Jean-Michel Coulon and later Nicolas de Staël. In Paris, Lanskoy also met Catherine Zoubtchenko, who became his muse and lover.

Lanskoy spent a lot of time at museums and was influenced by James Ensor’s and Vincent van Gogh’s use of color. In 1923, he participated in his first group exhibitions of Russian painters at the La Licorne Gallery in Paris.

Wilhelm Uhde discovered Lanskoy’s paintings at the Salon d’Automne in 1924 and became a collector of his works in the years that followed. In 1925, Lanskoy had a solo exhibition and his works were acquired by museums and important private collectors. After 1937, his paintings began a transition towards abstraction and he studied both Paul Klee and Wassily Kandinsky.

After 1942, he painted only abstract works. The interaction of form and color became the major theme running through his oeuvre: “Even though every brushstroke represents for itself a transformed reality, it receives its true meaning in the context of surrounding shades of color.”

In 1944, Lanskoy exhibited at the Jeanne Bucher Gallery in Paris where he met Nicolas de Staël. In 1948, he showed at the Louis Carré Gallery and in 1951 at the Galerie Jacques Dubourg.

The Tooth and Sons Gallery showed his work in 1953 and The Loeb Gallery in New York City followed in 1959.

In 1962, he began to work on a large project of original prints and collages to accompany Nikolai Gogol’s novel Diary of a Madman. He worked for fourteen years until his death on this project resulting in 150 collages and 80 lithographs. In 1966 he had an exhibition at the Museé Galliéra, Paris.

The Neue Galerie in Zürich held an exhibition in 1969. Lanskoy died on 24 August 1976 in Paris.

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